Luxury, in our reading, is not what is added. It is what is deliberately, patiently, and repeatedly left out.
There is a discipline to the object that does not announce itself. It sits, quietly, on the vanity — and the room organises itself around it.
We have long believed that the finest work in beauty resembles the finest work in architecture: the removal of every element that is not strictly necessary, and the elevation of what remains.
The house was founded on this principle. Each formulation begins with a question of subtraction — what may we take away, and still be left with something whole.
The result is a range of objects that reveal themselves slowly. There is no bright note. No sudden gesture. Only a considered, quiet presence, that behaves — over time — like a familiar hand.
— House of Korv